RPO Project and Contests
Please listen to the following recordings and think about creating poems inspired by the music. The winning poems will be read at the concerts, just like the postcards in September.
Arild envisioned the poetry to flow off of the Ravel Bolero and/or the Gabriela Lena Frank Three Latin American Dances (Spanish/Latin elements).
Bolero
www.youtube.com/watch?v=3-4J5j74VPw
Bolero is a form of slow-tempo Latin music and its associated dance and song. There are Spanish and Cuban forms which are both significant and which have separate origins.[1]
The term is also used for some art music. In all its forms, the bolero has been popular for over a century.
The bolero is a 3/4 dance[3] that originated in Spain in the late 18th century, a combination of the contradanza and the sevillana.[4] Dancer Sebastiano Carezo is credited with inventing the dance in 1780.[5] It is danced by either a soloist or a couple. It is in a moderately slow tempo and is performed to music which is sung and accompanied by castanets and guitars with lyrics of five to seven syllables in each of four lines per verse. It is in triple time and usually has a triplet on the second beat of each bar.
Sample poem:
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Bolero
So one day when the azalea bush was firing
away and the Japanese maple was roaring I
came into the kitchen full of daylight and
turned on my son’s Sony sliding over the
lacquered floor in my stocking feet for it was
time to rattle the canisters and see what
sugar and barley have come to and how Bolero
sounds after all these years and if I’m loyal
still and when did I have a waist that thin?
And if my style was too nostalgic and where
were you when I was burning alive, nightingale?
In "Bolero," for example, the rhythm of the dance is duplicated visually on the page, with one extremely long line followed by two short lines in an approximation of the "slow / quick-quick" of this very slow and sensuous dance. I wanted the reader to be stretched out to the limit of the page, and only then snapping back to the left margin--to reality? back to earth?--where he is allowed to take a breath (i.e., the stanza break) before returning to the fray.
Bolero Not the ratcheting crescendo of Ravel's bright winds but an older, crueler passion: a woman with hips who knows when to move them, who holds nothing back but the hurt she takes with her as she dips, grinds, then rises sweetly into his arms again. Not delicate. Not tame. Bessie Smith in a dream of younger, (Can't you see?) slimmer days. Restrained in the way a debutante is not, the way a bride pretends she understands. How everything hurts! Each upsurge onto a throbbing toe, the prolonged descent to earth, to him (what love …
Ravel's Bolero
by Kate Burnside
Saturday, May 01, 2004
Ravel's Bolero...
Passions building,
throbbing, pulsating
Tautly rising towards
climactic crescendo
Flashing steel blades
dice and toss,
mixing together
a mele of images:
Firstly, figure skaters
searing through hot ice
Bodies fully charged and tensed
Athletically counterbalanced
Sinuously connected
Sensuous poetry in motion
Pure sex on a stick, oral as gelatti:
even the delicate
touch of his hand
on the small of her back
is suggestive
as the breeze dances
and plays with
the hem of her skirt;
Theirs is a muscular power
braced and under control -
the gleaming flanks of the
purebred stallion
stamping and nodding,
waiting to be unleashed from the stockade...
Then the bathing-suited beauty,
tanned and svelte
bounding along Bondi Beach;
freely flowing later
in the buff,
humping and pumping
slow and rhythmic
Cleopatra cat-like features,
her clattering beaded braids
swaying in time to the music...
Moist heat or dry ice
Ravel's Bolero
Legs 11 out of 10 every time!
Passions building,
throbbing, pulsating
Tautly rising towards
climactic crescendo
Flashing steel blades
dice and toss,
mixing together
a mele of images:
Firstly, figure skaters
searing through hot ice
Bodies fully charged and tensed
Athletically counterbalanced
Sinuously connected
Sensuous poetry in motion
Pure sex on a stick, oral as gelatti:
even the delicate
touch of his hand
on the small of her back
is suggestive
as the breeze dances
and plays with
the hem of her skirt;
Theirs is a muscular power
braced and under control -
the gleaming flanks of the
purebred stallion
stamping and nodding,
waiting to be unleashed from the stockade...
Then the bathing-suited beauty,
tanned and svelte
bounding along Bondi Beach;
freely flowing later
in the buff,
humping and pumping
slow and rhythmic
Cleopatra cat-like features,
her clattering beaded braids
swaying in time to the music...
Moist heat or dry ice
Ravel's Bolero
Legs 11 out of 10 every time!
www.youtube.com/watch?v=mavn0xKNcEs
And don't forget Hollins (10th and 11th women poetry)
Bennington
www.bennington.edu/NewsEvents/YoungWritersCompetition/YW_Submission.aspx
Scholastic, New England Young Writers Conference, etc.
Submission Form
- Poetry (a group of three poems). Poems must be typed.
- Fiction (a short story or one-act play). Short stories must be typed, double-spaced, and fewer than 1500 words. Scripts must be typed, double-spaced, and run no more than 30 minutes (playing time).
- Nonfiction (a personal or academic essay). Stories and nonfiction must be typed, double-spaced, and fewer than 1500 words.
www.scholastic.com/dellhaiku/?eml=SMP/e/20111018//txtl/DellHaiku/0/ContestDeadline/SL1//////&ym_MID=1373091&ym_rid=6224539
Pantoums
www.poets.org/viewmedia.php/prmMID/5786
Senryu
startag.tripod.com/HkSenDiff.html
HMWK: Bring in Poetry Writing books for Monday, Read Ch. 11-15
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